Growing up on Fogo Island, Zita developed a deep belief in the inherent value of place and profound respect for the human ways of knowing that emerge from respectful relationships with nature, culture, and community. She held senior financial roles in the high-tech industry, notably with JDS Fitel, subsequently JDS Uniphase, where she contributed to building the company into one of the most successful high-tech innovators in history. Zita returned home to Fogo Island in the early 2000’s and, along with her brothers Anthony and Alan, founded Shorefast. In 2016, Zita was awarded the Order of Canada. She volunteers her time and energies to the active direction and management of Shorefast and its projects on Fogo Island.

Eleanor Dawson is a graduate of Memorial University of Newfoundland. She has been involved in the cultural community of Newfoundland and Labrador for the past 30 years in a variety of production, administrative and managerial roles. In 2001 Dawson joined the Provincial Department of Tourism, Culture and Recreation. In 2006, she assumed the position of Director of Arts. In that capacity she participated in the creation of the provincial cultural policy as well as creating and administering various support programs for the cultural sector. Additionally, Dawson has played a key research, development and administrative role in various sector-expanding projects. She retired from the provincial government in 2015 and continues to be active in the cultural community. She is past president of both the Newfoundland and Labrador Folk Arts Society and the Newfoundland Historical Society. Dawson is an active participant in Newfoundland music, dance and storytelling. She is a traditional singer who currently co-hosts a monthly song circle in St. John’s.

Paul Dean is the retired CEO of the Johnson Geo Centre in St. John’s, Newfoundland. As a geologist he worked for many years with the Department of Mines and Energy as Assistant Deputy Minister, and was the Deputy Minister of the Department of Environment with the Government of Newfoundland and Labrador. Paul is a noted traditional singer and storyteller who has been writing short stories for The March Hare for ten years or so. Many of his stories are based in North Harbour, Placentia Bay where he grew up and where his heart still remains. A few of his stories have been published in The March Hare Anthology and The Newfoundland Quarterly.

Fabrizio Gallanti is the director of arc en rêve centre d’architecture, Bordeaux, France, appointed in 2021. Gallanti was the first Senior Mellon Fellow (2014-15) within the Princeton-Mellon Initiative in Architecture, Urbanism, and the Humanities at Princeton University’s School of Architecture. From 2011 to 2014 he was associate director of programs at the Canadian Centre for Architecture (CCA) in Montreal. Gallanti is a founding member of the architectural research studio Fig-Projects (2003-Present). Gallanti holds a PhD in architectural design from the Polytechnic University of Turin (2001) and a Masters in Architecture from the University of Genova (1995). He has taught architectural design and architectural theory in Chile (Pontificia Universidad Católica and Universidad Diego Portales, 2002-2008) and Italy (Polytechnic University of Milan, 2007-2010). He is currently visiting professor at the Architectural Association, London. Gallanti has written for international magazines such as A+U, Domus, San Rocco, Clog, Harvard Design Magazine and The Journal of Architectural Education and curated numerous exhibitions internationally.

Katy Graham Debost is a graduate of McGill University in Montreal. She lived in Paris for over 25 years, and spent the last 10 working to promote the goals of the National Museum of Women in the Arts (NMWA) in Washington, DC. This includes being elected president of Les Amis du NMWA from 2015-2019, where, under her stewardship, the committee organised events around women artists working in France, including visits to museum shows, gallery exhibitions, and artists’ studios. As part of NMWA’s biennial Women to Watch (WTW) program, the committee worked with local curators to select emerging French women artists to show their work in Washington. More recently, she was involved in the selection of a Canadian artist to participate for the first time in the WTW 2021 exhibition. Debost is a member of NMWA’s Advisory Board in Washington. She is also long-standing member of the Cercle 2021, an acquisitions committee of the Musée des Arts Décoratifs (MAD) in Paris, focused on purchasing 20th & 21st century design pieces. In addition, she participates in a scholarship committee for the Ecole Camondo, MAD’s interior design school. Debost is now based between her native Toronto, Paris and Grand Manan Island in New Brunswick, which shares many similarities with Fogo Island.

Elisa Nuyten is active as an art collector and patron. She is a member of the Leadership Council at the New Museum, Dia Women and the AGO Contemporary Acquisition Committee. Nuyten is the founder of the Vega Foundation, a Foundation that will acquire as well as help in the production and exhibition of Film and Video art. Vega plans to collaborate with FIA. Born and raised in Belgium, she now resides in Toronto and Paris.

Silke Otto-Knapp was born in Osnabrueck in 1970. She completed a degree in cultural studies at the University of Hildesheim, Germany and received her MA in Fine Art from Chelsea College of Art and Design. Until 2013, Otto-Knapp lived and worked in London. In 2014 she relocated to Los Angeles where she is Assistant Professor for Painting and Drawing at UCLA. Recent solo exhibitions of her work include In the waiting room at the Renaissance Society, Chicago; Land lies in water at the Art Gallery of Ontario (AGO), Toronto; Monday or Tuesday at Camden Arts Centre, London; Questions of Travel at Kunsthalle Wien, and Geography and Plays at Kunsthal Charlottenborg, Copenhagen. Her work has been shown at Tate Britain, London, the Hammer Museum, Los Angeles, Berkeley Art Museum, Migros Museum, Zürich, and Van Abbemuseum, Eindhoven. She is represented by Gavin Brown’s Enterprise in New York, Galerie Buchholz, Cologne and Berlin, and greengrassi in London.

Willem de Rooij (*1969, Beverwijk, NL) investigates the production, contextualization and interpretation of images through a variety of media. Appropriations and collaborations are fundamental to De Rooij’s artistic method and his projects have stimulated new research in art history and ethnography. In 2000 De Rooij won the Bâloise Art Prize, and he was nominated for the Hugo Boss Award in 2004 and the Vincent Award in 2014. He was a Robert Fulton Fellow at Harvard University in 2004 and a DAAD fellow in Berlin in 2006. He represented the Netherlands at the 2005 Venice Biennale with Jeroen de Rijke, his collaborative partner from 1994-2006.

Institutional solo exhibitions include Portikus, Frankfurt (2021); De Appel, Amsterdam (2020), Kunstwerke Berlin (2017); IMA Brisbane (2017); MMK Museum of Modern Art, Frankfurt/Main (2016); Consortium, Dijon (2015); The Jewish Museum, New York (2014). Recent group exhibitions include the John Hansard Gallery, Nottingham (2020); BDL Museum, Mumbai (2019); the Hammer Museum Los Angeles (2018); Jakarta Biennale (2017); Limerick Biennial (2016); Aishti Foundation, Beirut (2015); 10th Shanghai Biennale (2014) and Raw Material Company, Dakar (2013).

De Rooij has taught and lectured extensively since 1998. He is Professor of Fine Art at the Städelschule, Frankfurt/Main (since 2006), and advisor at the Rijksakademie, Amsterdam (since 2015). In 2016, he co-founded BPA// Berlin program for artists, and became a member of the Royal Netherlands Academy of Arts and Sciences. De Rooij’s works can be found in the collections of Stedelijk Museum, Amsterdam; MUMOK, Vienna; Hamburger Bahnhof, Berlin; Centre Pompidou, Paris; MOCA, Los Angeles and MOMA, New York.

Nicolaus Schafhausen is a curator, director, teacher, author, and editor of numerous publications on contemporary art. Since 2011 he has been the Strategic Director of Fogo Island Arts/Shorefast.

Schafhausen was the Artistic Director of Tell me about yesterday tomorrow (2020) an exhibition at the Munich Documentation Centre for the History of National Socialism about the future of the past and an accompanying publication (2021). He has curated numerous international exhibitions such as Media City Seoul 2010 and the Dutch Pavilion at the Shanghai World Expo 2010. He was the curator of the German Pavilion for the 52nd (2007) and 53rd Venice Biennale (2009), and curator of the Kosovo Pavilion for the 56th Venice Biennale (2015). Schafhausen also co-curated the 6th Moscow Biennale in 2015.

In addition to curating exhibitions, biennales and other projects, Schafhausen has led institutions such as the Witte de With Center Contemporary Art in Rotterdam and Frankfurter Kunstverein, He was Founding Director of the European Kunsthalle, conceived as a project to examine the conditions and structures of contemporary art institutions independent of local government mandates. In 2019 he stepped down as Director of the Kunsthalle Wien, a position he held since 2012, for political reasons, observing that the future of such cultural institutions was thrown into question by rising nationalist policies in Austria and elsewhere. He has called for stronger support from independent state institutions and cultural administrations in times of right-wing populist movements.

Kitty Scott is Deputy Director and Chief Curator of the National Gallery of Canada, Ottawa. Prior to this appointment, she was the Carol and Morton Rapp Curator of Modern and Contemporary Art at the Art Gallery of Ontario, Toronto, a position she held from 2012 to 2019. Scott has been Director of Visual Arts at The Banff Centre, Alberta, Chief Curator at the Serpentine Gallery, London, and curator of Contemporary Art at the National Gallery of Canada. She has curated exhibitions of artists such as Francis Alÿs, Stephen Andrews, Janet Cardiff, Paul Chan, Peter Doig, Geoffrey Farmer, Theaster Gates, Brian Jungen, Ragnar Kjartansson, Ken Lum, Gordon Matta-Clark, Scott McFarland, Silke Otto-Knapp, Mary Scott, Ron Terada, and Jin-me Yoon and was an agent for dOCUMENTA (13) (2012), Kassel, Germany. Scott organized the curatorial symposium “Are Curators Unprofessional?” (2010) at The Banff Centre and edited the publication Raising Frankenstein: Curatorial Education and Its Discontents (Koenig Books, Cologne, 2010). She has written extensively on contemporary art for catalogues and journals including Parachute, Parkett, and Canadian Art. Scott has contributed to numerous books on curatorial studies and written texts for monographic publications on the work of Matthew Barney, Peter Doig, Brian Jungen, Adam Pendleton, and Daniel Richter; and for the publication Creamier: Contemporary Art in Culture (Phaidon, London, New York, 2010). As an independent curator, she has worked on numerous exhibitions including Gordon Matta-Clark: Line of Flight (2020), Liverpool Biennial (2018), Bankside Browser (2000) for Tate Modern, London, and Universal Pictures (1999) at the Melbourne International Biennial. Scott was the Canadian coordinator for the Seventh International Istanbul Biennial (2001) and also worked on the inaugural SITE Santa Fe Biennial (1995). Scott has taught at numerous institutions including the Curatorial Practice Program at the California College of the Arts, San Francisco.

Monika Szewczyk is a writer, curator, editor, and educator based in Amsterdam. Her lifelong interest in art- and/as history-making has evolved in close collaboration with artists, poets, activists, and archivists whose methods vary, but who all tend to reimagine structures and reinvent traditions as they negotiate belonging to more than one place, people and culture. A native of Szczecin, Poland, Szewczyk moved at a formative age to the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations also known as Vancouver, Canada. After studying International Relations (BA) and Art History (MA) as well as theatre, film, and fine arts, she went on to lecture, advise and lead seminars at Emily Carr University in Vancouver, Piet Zwart Institute in Rotterdam, Bergen Academy of Art and Design and the University of Chicago. Currently she is the QuiS22 Research Fellow at the Städelschule in Frankfurt. Most recently (2019-2022), she served as director of de Appel in Amsterdam and evolved the curriculum of this foundation’s unique Curatorial Programme. Previously she was one of the curators for documenta 14 in Athens and Kassel (2015-2017); Visual Arts Program Curator at the Reva and David Logan Center for the Arts, University of Chicago (2012-2014); and Head of Publications at Witte de With Center for Contemporary Art in Rotterdam (2008-2011), now Kunstinstituut Melly; Assistant Curator at the Vancouver Art Gallery (2004-2007); and Program Coordinator of the Belkin Satellite (2001-2003), a downtown outpost of the Morris and Helen Belkin Art Gallery, University of British Columbia, her alma mater. Her writings and interviews as well as her editorial work can be found in numerous artists’ publications, readers, catalogues and in journals such as e-flux journal, Afterall, Mousse, OCULA and South as a State of Mind.

For Stephan Weishaupt, art and design are about relationships. Weishaupt’s intuition, worldview, and above all, an affinity for connecting people is what help him bring the best of the world of design together into truly original experiences.  Born and raised in Munich, Stephan Weishaupt’s relationship with his family — a long line of entrepreneurs, architects, and carpenters — informed his insatiable curiosity and appreciation of art and design. A graduate of the University of Applied Sciences, Weishaupt’s early career in marketing and communications led to the formation of a portfolio of design-centric businesses, Weishaupt Design Group, headquartered in Toronto, Canada.  Driven by a desire to connect, curate, and cultivate meaningful relationships between makers and design lovers, the Group works to honour the authenticity of the products and materials with which they are crafted, as well as the stories of those who create them.

Nicolaus Schafhausen is a curator, director, teacher, author, and editor of numerous publications on contemporary art. Since 2011 he has been the Strategic Director of Fogo Island Arts/Shorefast. Schafhausen was the Artistic Director of Tell me about yesterday tomorrow (2020) an exhibition at the Munich Documentation Centre for the History of National Socialism about the future of the past and an accompanying publication (2021). He was the curator of the German Pavilion for the 52nd (2007) and 53rd Venice Biennale (2009), and curator of the Kosovo Pavilion on the 56th Venice Biennale (2015). Schafhausen also co-curated the 6th Moscow Biennale in 2015. Additionally, Schafhausen has led institutions such as the Witte de With Center Contemporary Art in Rotterdam and Frankfurter Kunstverein. He was Founding Director of the European Kunsthalle, conceived as a project to examine the conditions and structures of contemporary art institutions, independent of local government mandates. In 2019, he stepped down as Director of Kunsthalle Wien, a position he held since 2012 for political reasons. Schafhausen observed that the future of such cultural institutions was thrown into question by rising nationalist policies in Austria and elsewhere. He has called for stronger support from independent state institutions and cultural administrations in times of right-wing populist movements.

nicolausschafhausen.com

Claire Shea has recently joined Fogo Island Arts as Director. From 2017 to 2021, Shea was the Deputy Director at Para Site, Hong Kong’s leading contemporary art centre and one of the oldest and most active independent art institutions in Asia. In 2014, she was an Associate Curator for the 8th Shenzhen Sculpture Biennial, ‘We have never participated’ at OCT Contemporary Art Terminal, Shenzhen. Shea was previously Curatorial Director at Cass Sculpture Foundation in Goodwood, England, (2008-2016), a member of Bold Tendencies’ selection and steering committee in London, England (2010-2015), she curated the inaugural Thun Ceramic Residency in Bolzano, Italy (2015) and worked at the Peggy Guggenheim Collection in Venice, Italy (2006-2008).

Micaela Dixon is a writer and curator currently based on the ancestral homelands of the Beothuk known as “Fogo Island.” She was previously the Artist Liaison Trainee at Hauser & Wirth and has completed internships at David Zwirner Gallery and Christie’s Auction House. Dixon completed an undergraduate degree at the University of Toronto in Art History and Literature & Critical Theory. She is presently an MA Candidate at Goldsmith’s University, where she is researching how an alter-anthropology can provide a new basis for understanding an aesthetics of tension in anthropological filmmaking.

Documenting Climate Change Through Art 
Surface Mag, September 2022

Artists in 28 Countries Come Together to Respond to Climate Crisis with World Weather Network
EcoWatch, July 2022

A network of artist-devised weather stations gathers climate change data across 28 countries
The Art Newspaper, July 2022

The Art of Craft
Suitcase Magazine, June 2022

The article is on the 8 Most Exciting Hotels with Artists in Residence Programs,
Residence Magazine, March 2022

Shezad Dawood on Fogo Island ‘Between Land & Sea’
January 20, 2022

14 outstanding architectures hosting artist residencies
DOMUS Magazine, January 14, 2022

Despite Covid Challenges, Some Artist Residencies Are Thriving
New York Times, October 20, 2021

Must-know Artists Shaping The Canadian Arts Scene,
Elle Canada, October 3, 2019

Landmarks für Fogo,
BaunetzWoche #543, October 10, 2019

Brenda Draney,
Vie des Arts, Fall 2019

Shezad Dawood’s Leviathan at the Toronto Biennial of Art,
The Globe and Mail, September 16, 2019

Review of Brenda Draney’s Smelling Salts,
Canadian Art, Fall 2019

Fogo Island Film Festival Weekends
[EDIT] Magazine, Fall 2019

How a $41 Million Luxury Hotel Is Sustaining an Ambitious Arts and Ecology Initiative on a Remote Canadian Island
Artnet News, June 7, 2019

“Newfoundland Hideaway”
Modern Magazine, Winter 2019

“Isa Melsheimer’s first solo exhibition in Canada”
Domus, March 16, 2018

“Isa Melsheimer’s Year of the Whale is a Meditation on Newfoundland”
AZURE Magazine, March 27, 2018

“Russell Smith: Getting to the Art of Fogo Island“
The Globe and Mail, September 2017.

“Seen by the Water: Marlene Creates and Fogo Island”
Arsenal, 2017.

“Preview: How it’s Made, Augustas Serapinas”
Canadian Art, Spring 2017.

“Augustas Serapinas in the Studio”
Art in America, March 2017

“Herr Schafhausen, leben wir in einer Postdemokratie?”
Sonntag, August 14, 2016.

“The World’s Most Spectacular Art Islands”
AnOther, July 25, 2016.

“Ars Viva Liebt Dich” Apéro, 2016.

“Wilfrid Almendra “Light Boiled Like Liquid Soap”
at Fogo Island Arts, Fogo Island”
Mousse Magazine , 2016.

Critics’ Picks: Houston “Edgar Leciejewski at Inman Gallery”
Artforum, March 04, 2016.

“The Spirit of the North” Oak – The Nordic Journal, 2016.

“Artist in Residence” Art Basel Miami Beach, 2016.

“Ocean Portfolio “Fogo Island Arts””
World Ocean Journal, Volume Two.

“Zin Taylor’s “The Story of Stripes and Dots (Chapter 7)””
art agenda, 2014.

“Fogo Island Dialogues: Belonging to a Place”
Border Crossings, 2013.

“Kate Newby: Let the Other Thing In” cmagazine, Issue 120.

“Zin Taylor “The Story of Stripes and Dots (Chapter 5)” at Fogo Island”
Mousse Magazine, December 04, 2013

“No Fixed Address: UK Artist Lucy Pawlak creates a “third space” on Fogo Island“
Visual Arts News, Fall 2013.

“How to have a relationship with a rock”
Art News New Zealand, Autumn 2013.

“Art Residencies in Canada: Making the Impossible Possible”
NGC Magazine, April 24, 2013.

“Longing & Belonging”
Frieze, Issue 151, November–December, 2012.

“A Sunny Night on Fogo Island”
The Telegram, February 16, 2012.

“Rory Middleton: Steady Water” cmagazine, Issue 115.

“Fogo Island’s Cultural Revival”
Canadian Architects, online article, 2011.

“Fogo Island: Rock Haven”
Canadian Art, Fall 2011.

“Remodelista”
Donna Wilson, Donna’s Blog, February 23, 2011.

The Islands is a residency partnership between FIA and Art Metropole, Toronto, that aims to encourage arts writing and criticism in contemporary art. The Islands invites emerging and established arts writers and artists with a writing practice to think about the various roles of writing in the arts across two unique locations. Each successful candidate will have the opportunity to spend a month on Fogo Island as part of Fogo Island Arts’ residency program, followed by two weeks on Toronto Island at Artscape Gibraltar Point. The residency will culminate in a publication funded, published, and distributed by Art Metropole, in conjunction with Fogo Island Arts.

Established in 2014, the Young Curator Residency offers an exceptional Canadian curator between the ages of 25 and 30 the opportunity to spend six weeks on Fogo Island as part of FIA’s international residency program. During the residency, the curator works closely with FIA artists-in-residence, staff, and members of the community, and contributes to FIA initiatives. Candidates are selected based on their body of work, curatorial philosophy, and proposed residency objectives.

Fogo Island Arts has partnered with the Sobey Art Foundation In support of contemporary Canadian artists. One of the 5 artists short-listed annually for the Sobey Art Award is awarded a residency on Fogo Island as part of Fogo Island Arts’ international residency program.

Initiated in 2018, FIA is the inaugural residency partner of the Sobey Art Award, with the mandate to expand opportunities and exposure for Canadian artists internationally.

The Sobey Art Foundation’s support is a significant contribution to Fogo Island Arts’ Patrons Program, a major fundraising campaign launched in 2016 to support FIA programs and initiatives. The partnership between Fogo Island Arts and the Sobey Art Foundation reflects a shared understanding of the critical role that contemporary art plays in enriching and revitalizing communities.

The Sobey Art Award is the pre-eminent prize for contemporary Canadian art. Jointly administered by the Sobey Art Foundation (SAF) and the National Gallery of Canada (NGC), the Award celebrates the careers of emerging Canadian artists through prize money and recognition.

A special partnership with the Kulturkreis der deutschen Wirtschaft im BDI e. V. (Association of Arts and Culture of the German Economy at the Federation of German Industries) offers recipients of the prestigious ars viva Prize for Visual Arts a residency with Fogo Island Arts.

The ars viva Prize is awarded annually to young artists living in Germany whose work is distinguished by a high level of artistic quality and a contemporary outlook. The prize includes two exhibitions at renowned art institutions in Europe, a financial award of 5,000 Euros each, the production of an artist’s edition, and a bilingual catalogue published by Sternberg Press, as well as a month-long residency with Fogo Island Arts.

In its inaugural year, Bothy Project, Fogo Island Arts and Fogo Island Workshops have partnered to produce Cross Currents, a residency and professional development project for craft-designer-makers based in Scotland and in Newfoundland and Labrador, Canada.

Cross Currents will explore the historical, artistic and social parallels between Scotland’s West Coast and Newfoundland and Labrador and Canada’s East Coast. These connections across the Atlantic include geology and landscape; fishing and seafaring, in their cultural and environmental guises; and connections of communities, Indigenous peoples, migrants, immigrants and settlers. Aspects of these parallels are present in Scotland and Newfoundland and Labrador, and offer a myriad of material for craft-designer-makers to explore, learn from and communicate through their practice.

The project has been generously funded through British Council Scotland and Creative Scotland’s Connect and Collaborate program, with additional support from Shorefast.

Fogo Island Arts is an international partner of the Pew Fellowship Consortium of Residencies, a project managed by the Alliance of Artists Communities and funded by Pew Fellowships in the Arts. As part of this biennial program, FIA has welcomed Pew Fellows Rea Tajiri (2019) and David Kessler (2021) for a six-week residency on Fogo Island.

The Pew Center for Arts & Heritage is a multidisciplinary grant-maker and hub for knowledge sharing, dedicated to fostering a vibrant cultural community in Greater Philadelphia. The Center invests in ambitious, imaginative, and catalytic work that showcases the region’s cultural vitality and enhances public life, and engages in an ongoing exchange of ideas concerning artistic and interpretive practice with a broad network of cultural practitioners and leaders. Established in 2005, the Center makes project grants in two areas, Performance and Exhibitions & Public Interpretation, while twelve annual Fellowships provide unrestricted grants to individual artists working in all disciplines. The Pew Consortium of Artist Residencies extends the impact of Pew Fellowships by providing interested Fellows the opportunity to participate in a residency at one of the participating partner sites.

Fogo Island Arts (FIA) partnered with CIBC from 2016 to 2018 to establish the CIBC Artist-in-Residence Program. CIBC’s contribution of $150,000 over the three-year agreement enabled FIA to bring one established Canadian contemporary artist per year to participate in a residency on Fogo Island. Celebrated artists Paul P., Elizabeth McIntosh and Ashes Withyman were selected as the CIBC Artists-in-Residences.

Leonor Antunes,

Teresa Baker, Rob Crosse, Eva Giolo, Zuza Golinska, Kablusiak, Sharon Lockhart, Minh Nguyen, Sung Tieu, Tanya Talaga, Pablo Alvarez-Mesa & Fernando Lopez Escriva, Daniel Chew & Micaela Durand, David Scott Kessler, Richard Sides, Michael Van de Abeele, Armand Yervant Tufenkian, Cemile Sahin

Eli Kerr, Emily Pittman, Nicole Travers, Larry Weyand, Nelson White

Niko Abramidis & NE, Abbas Akhavan, Eleni Bagaki, Lyndon Barrois Jr., Cana Bilir-Meier, Brenda Draney, Keto Logua, Pó Rodil, Rea Tajiri, Artur Żmijewski

Thomas Bayrle, Anna-Sophia Berger, Zachary Cahill , Endri Dani, Oscar Enberg, Ieva Epnere, Aslan Gaisumov, Corinna Schneider & Yannick Herter, Candice Hopkins, Steffen Jagenburg, Zac Langdon-Pole, Jumana Manna, Jeremy Shaw, Sikarnt Skoolisariyaporn, Michael Staniak, Janique Vigier, Ashes Withyman

Marlene Creates, Keren Cytter, Joseph Del Pesco, Jan Paul Evers, Will Gill, Jacqueline Hoàng Nguyễn, Corrie Jackson, Brian Jungen, Leon Kahane, Elizabeth McIntosh, Isa Melsheimer,  Mike Penton, Charles Stankievech

Steve Cottingham, Richard Ighby & Mairlou Lemmens,  Marko Lulić, MAP Office, Ricardo Okaranza, Lisa Oppenheim, Paul P., Goran Petrović Lotina, Walter Scott, Augustas Serapinas, Jeremy Shaw, Marco Bruzzone

Wilfrid Almendra, Nadia Belerique, Michele Di Menna, Darryn Doull, Flaka Haliti, Nico Ihlein, Edgar Leciejewski,  Marko Lulić, Mark Mann, Yotaro Niwa, Goran Petrović Lotina, Hannah Rickards, Leander Schönweger

Erika Balsom, Mark Clintberg, Kari Cwynar, Murray Gaylard, Chris Kabel, Janice Kerbel, Nicole Lattuca, Edgar Leciejewski, Yotaro Niwa,  Silke Otto-Knap, Hannah Rickards, George Van Dam

Katie Bethune-Leamen, Mark Clintberg, Theodore Zachary Cotler, Karsten Födinger, Steffen Jagenburg, Janice Kerbel, line kramer and marjolijn kok, Yvonne Mullock, Kate Newby, Yotaro Niwa, Anita Nowak, Lucy Pawlak, Hannah Rickards, Jerry Ropson, Andreas Siqueland, Tobias Spichtig,  Zin Taylor, Agnes Walsh

Danai Anesiadou, Katie Bethune-Leamen, Geoff Butler, Lyn Hughes, Samuel Thomas Martin, Kate Newby,  Silke Otto-Knap, Lucy Pawlak, Steve Rowell, Kevin Schmidt, Robin Simpson, Andreas Siqueland,  Tobias Spichtig, Patrick Staff, Zin Taylor, Holly Ward, Willem de Rooij 

Aileen Burns, Siddhartha Das, David Kelley, Janice Kerbel, Johan Lundh, Selma Makela, Rory Middleton, Yulene Olaizola, Silke Otto-Knap, Hannah Rickards,

Siddhartha Das,  Oliver Lutz,  Silke Otto-Knapp, Kevin Schmidt, Andreas Siqueland, Zin Taylor,