Leonor Antunes currently lives and works between Berlin, Germany, and Lisbon, Portugal. Antunes studied Sculpture at the Fine Arts University of Lisbon, and at the Staatliche Akademie der Bildenden Künste, Karlsruhe. Her most important exhibitions includes: joints, voids and gaps, Mudam, Luxembourg (2020); sequences, inversions and permutations, The Box, Plymouth, UK (2020); vazios, intervalos e juntas, MASP, Museu de Arte de Sao Paulo and Casa de Vidro, Brazil (2019); a seam, a surface, a hinge, or a knot, official Portuguese representation at the 58th International art exhibition La Biennale di Venezia, Palazzo Giustinian Lolin, Venice, Italy (2019), the last days in Galliate, Hangar Bicocca, Milan, Italy (2018); discrepancies with C.P., Museo Tamayo, Mexico City, Mexico (2018); the frisson of the togetherness, Whitechapel Gallery, London, U.K. (2017); discrepancies with G.G, Tensta Konsthall, Tensta, Stockholm (2017); spiral staircase leads down the garden, San Francisco Museum of Modern Art (SFMoMA), San Francisco, United States (2016); the pliable plane, CAPC Musée d’Árt Contemporain de Bordeaux, Bordeaux, France (2015); I stand like s mirror before you, New Museum, New York, United States (2015); the last days in Chimalistac, Kunsthalle Basel, Basel, Switzerland (2013); villa, how to use, Museu de Serralves, Porto, Portugal (2011); discrepancies with M.G., Museo El Eco, Mexico City, Mexico (2011).

Furthermore, her work has been included in the following biennials: Gwangju Biennial (2018), 57th International Art Exhibition la Biennale di Venezia, Italy (2017); Sharjah Biennial 12, Sharjah, United Arab Emirates (2015); Triennale Kleinplastik Fellbach 2013, Fellbach, Germany; 8th Berlin Biennale for Contemporary Art, Berlin, Germany (2014); 3rd Singapore Biennale, Singapore (2011).