Nora N. Khan’s research focuses on experimental art and music practices that make arguments through software. She specializes in simulation design, AI and intelligent systems, machine vision, automated language and poetry, and narrative design for interfaces across time, cultures and political contexts. In examining the cultural, aesthetic and psychological dimensions of technological tools and systems, she tries to map their grounding ideology. Khan is a long-time editor at Rhizome, her art and technology criticism have been published in 4Columns, Rhizome, Art in America, Flash Art, Mousse, California Sunday, Spike Art, The Village Voice, Glass Bead and many other places. She has contributed commissioned essays for exhibitions at Serpentine Galleries, Chisenhale Gallery, the Venice Biennale, and Kunstverein in Hamburg and in a number of artist’s books, including Sondra Perry’s Typhoon Coming On (Koenig), Katja Novitskova’s Dawn Mission (Mousse) and If Only You Could See What I See with Your Eyes* (Sternberg), and Ian Cheng’s Emissaries Guide to Worlding (Koenig). She is a member of the Digital + Media faculty at Rhode Island School of Design (RISD).