Artist Miguel Fernández de Castro works out of Altar in Mexico's Sonoran Desert. His reflective, essayistic documentary mode extends across photography, video, sculpture, and writing. Fernández de Castro blends lived experience, conflict, and ecological thought into a single, slow observational method. Concrete details, from carved marks on a wooden stool to the flaming crown of a saguaro, provide conceptual anchors for thinking about territory, conflict and memory.