Ashes Withyman

Ashes Withyman* lives and works in Montreal. Solo exhibitions include: A Dark Switch Yawning, Neptune Skeletons Thronging, Black Bucket Prolonging, World Turtle Longing, Sink Plug Wronging (with Geoffrey Farmer) (2017), Salzburger Kunstverein; Bullae (2017), Catriona Jeffries, Vancouver; A Burning Bag as a Smoke-Grey Lotus (2015), Stroom den Haag, The Hague, and La Loge, Brussels; Household Temple Yard (2014), La Criée – Centre d’art contemporain, Rennes; Blocked Arch, Deferred Ceremony, Dawn Chorus, Tra-diddle da. Like a fly in slow suspense (2014), Glasgow Sculpture Studios; Household Temple Yard (2013), Catriona Jeffries, Vancouver; and Allochthonous Window (2013), Vancouver Art Gallery. His work A place, near the buried canal (2012) was produced as part of DOCUMENTA (13). Moore’s work has been included in numerous international group exhibitions including Lady with Gull, Peanut butter steps, World Antacid (2017), Live Arts Week VI, Museo d’Arte Moderna di Bologna, Italy; Under Construction (2015), Paramo, Guadalajara; Journeys (2014), Israel Museum, Jerusalem; Play time (2014), Les ateliers de Rennes, Biennale d’art contemporain à Rennes; Bat Ear (2014), Lüttgenmeijer, Berlin; The Intellection of Lady Spider House (2013), Art Gallery of Alberta, Edmonton; and Every Version Belongs to the Myth (2009), Project Arts Centre, Dublin.

*also known as Gareth Moore

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